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Exhibition november 13 2011may 14 2012 diego rivera was the subject of momas second monographic exhibition the first was henri matisse which set new attendance records in its five week run from december 22 1931 to january 27 1932 moma brought rivera to new york six weeks before the exhibitions opening and gave him studio space within the museum a strategy intended to solve diego rivera murals for the museum of modern art at moma revisits the high tide of the artists american success the show reunites three of the five frescoes that rivera created on portable supports of steel braced cement in 1931 for what was the museums second solo exhibition the first having been devoted to matisseby leah dickerman and anna indych lpezin 1931 diego rivera was the subject of the museum of modern arts second monographic exhibition which set attendance records in its five week rundecember 12 and 15 2011 1230 pm the lewis b and dorothy cullman education and research building 4 w 54 st classroom b diego rivera murals for the museum of modern art this lecture examines diego riveras work at the intersection of art making and radical politics in the 1930s jodi roberts will conduct the lecturepublished in conjunction with the exhibition diego rivera murals for the museum of modern art organized by leah dickerman curator department of painting and sculpture at the museum of modern art new york november 13 2011 may 14 2012 title page verso

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